Learning to Crawl
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible.
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible.
In the first moments of Maiya Blaney’s new album A Room With a Door That Closes, a shivering, sped-up vocal sample threatens to
“Dream pop” has always been a slight misnomer. Elizabeth Fraser confronted new motherhood on Heaven or Las Vegas, Broadcast’s Trish Keenan toed the
Jazz harpist Brandee Younger was gadding about herself when she discovered the word “gadabout” while on tour, traveling by day and reinventing compositions
In their Feeling of the Day report, a recurring segment on KCRW, Brian Eno and Beatie Wolfe explore the emotions as they are
There are four interesting things about rototoms, a specific type of drum that plays an outsized role on YHWH Nailgun’s debut album. They
For years, Jefre Cantu-Ledesma has made music in which little seems to happen, at least through conscious effort. Instead, he simply fills the
When Aya Sinclair was a teenager growing up in Huddersfield—a town in the north of England between Manchester and Leeds—she felt herself come
Music Can Hear Us lays out DJ Koze’s panculturalist ethos clearer than any of his prior studio releases, island-hopping from wispy echoes of
The exhibition also made clear that all listening has the capacity to transcend time—that any given sound is a result of historical development.